The Role of Propaganda Prints in Shaping Dutch Identity During the Golden Age

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The Golden Age of the Dutch Republic marked an extraordinary era of cultural and economic advancement, albeit not free from conflict. During the Eighty Years’ War, lasting from 1568 to 1648, the Dutch struggled for independence from the Spanish Empire. This turbulent backdrop prompted artists to foster a sense of national identity among the citizens. In this article, we will delve into six propaganda prints that illuminate how the Dutch people embraced their national identity.

1. Allegory on the Deceitfulness of Spain and the Liberty and Prosperity of the Dutch Republic by Willem Pieterszoon Buytewech

Dutch propaganda prints: Willem Pieterszoon Buytewech, Allegory on the Deceitfulness of Spain and the Liberty and Prosperity of the Dutch Republic, 1615, etching, engraving, and drypoint, Museum of Fine Arts Boston, Boston, MA, USA.

Willem Pieterszoon Buytewech, Allegory on the Deceitfulness of Spain and the Liberty and Prosperity of the Dutch Republic, 1615, etching, engraving, and drypoint, Museum of Fine Arts Boston, Boston, MA, USA.

This print features an enclosed garden, a gathering of people, and two menacing creatures, all of which serve to illustrate the essence of national identity in the Dutch Republic. This piece represents the most prominent allegory of the Golden Age of Holland, drawing on the medieval narrative of the Virgin Mary in a walled garden—a symbol of purity. In this context, the Maid of Holland is depicted in a verdant and prosperous garden, emblematic of the era’s glory. Furthermore, the link between femininity and national identity emphasizes the perception of women as both beautiful and delicate, necessitating protection akin to that of a country. Produced during a temporary ceasefire in the Eighty Years’ War, the looming threat of Spain is personified in a woman standing outside the garden.

2. Spanish Fury by Frans Hogenberg

Dutch propaganda prints: Frans Hogenberg, Spanish Fury, 1576-1578, etching, Rijksmuseum, Amsterdam, The Netherlands.

Frans Hogenberg, Spanish Fury, 1576-1578, etching, Rijksmuseum, Amsterdam, The Netherlands.

This print encapsulates the adage to “keep your friends close, and your enemies closer.” Hogenberg’s work depicts the Dutch using a derogatory image of the Spanish to shape their own identity. It illustrates a moment from the Eighty Years’ War when the Spanish army launched an assault on a Dutch city, depicting the Dutch as civilized individuals taken by surprise. The portrayal highlights their religious distinction: while the Catholic Spanish are shown as violent invaders, the Dutch project an image of innocent Protestants seeking peace for their faith.

3. February by Adriaen Collaert

Dutch propaganda prints: Adriaen Collaert, February, 1578 – 1582, etching, Rijksmuseum, Amsterdam, The Netherlands.

Adriaen Collaert, February, 1578 – 1582, etching, Rijksmuseum, Amsterdam, The Netherlands.

This print beautifully captures the essence of winter alongside a celebration of life, essential components of the Dutch national identity. Winter landscapes gained immense popularity in the Dutch Republic, symbolizing the nation’s geographical features. The scenes reminiscent of Jan Brueghel the Elder’s works have become cultural icons. The contrast of winter images with the warm, summery depictions favored in Spanish art further underscores this identity. The presence of joyful figures in the print conveys a sense of happiness that persists even during wartime, implying a robust faith in their leaders and resonating with the sentiments of the age.

4. Windmill Near the River by Claes Jansz Visscher

Dutch propaganda prints: Claes Jansz Visscher, Windmill Near the River, 1613, etching, The British Museum, London, UK.

Claes Jansz Visscher, Windmill Near the River, 1613, etching, The British Museum, London, UK.

The windmill significantly represents Dutch innovation and identity. It symbolizes harnessing natural forces, showcasing the Dutch mastery over their environment. The print depicts a man carrying a sack of grain, which implies successful agriculture despite challenging conditions.

Additionally, literature and prints often associate windmills with the Orange Dynasty, highlighting their symbolic importance:

And Prince who serves his office well, shows all diligence and humility that his subjects and the burghers prosper and have good relation […] indeed the Windmill suffers the blow of all winds, in order to throw out the water…

Roemer Visscher

Sinnepoppen, 1614. Rijksmuseum.

5. Dutch Camp in Mauritius by Anonymous

Dutch propaganda prints: Anonymous, Dutch Camp in Mauritius, 1619, etching, Rijksmuseum, Amsterdam, The Netherlands.

Anonymous, Dutch Camp in Mauritius, 1619, etching, Rijksmuseum, Amsterdam, The Netherlands.

The vast colonial domains of the Dutch Republic significantly influenced national identity. This print illustrates a colonial scene, emphasizing Dutch sovereignty by natural law. It portrays Dutch figures engaged in daily life, from fishing to boat building, within an exotic setting filled with unique flora and fauna. This blend of the familiar and exotic was designed to encourage Dutch capitalists to invest in the colonies, promoting them as safe and thriving locations.

6. Leo Hollandicus by Claes Janszoon Visscher

Dutch propaganda prints: Claes Janszoon Visscher, Leo Hollandicus, 1648, engraving, Atlas van Stolk Museum, Rotterdam, Netherlands.

Claes Janszoon Visscher, Leo Hollandicus, 1648, engraving, Atlas van Stolk Museum, Rotterdam, Netherlands.

Following the Dutch Republic’s independence in 1648, this map by Visscher symbolizes the unification of the nation. It portrays Leo Belgicus in a combative stance, representing the determination of the Dutch to defend their homeland. This print showcases the complete form of Leo Hollandicus, embodying the people of the Republic. Accompanied by depictions of key cities, it highlights the economic might of the Netherlands while illustrating the diverse populace known for their acceptance and tolerance.

Bibliography

1.

Alexis Metzger: Enjoying the Ice: Dutch Winter Landscapes, Weather and Climate in the Golden Age, 17th
Century, in Climate of the Past, 2020, https://doi.org/10.5194/cp-2020-81, (accessed 11.11.2023).

2.

Amanda Pipkin: Rape in the Republic, 1609-1725: Formulating Dutch Identity, Brill, Boston, 2013.

3.

Amanda Pipkin: “They Were Not Humans, But Devils in Human Bodies”: Depictions of Sexual
Violence and Spanish Tyranny as a Means of Fostering Identity in the Dutch Republic in
Journal of Early Modern History, No. 13, 2009, pp. 229-264.

4.

Alison McNeil Kettering: Landscape with Sails: The Windmill in Netherlandish Prints in Simiolus:
Netherlands Quarterly for the History of Art, No. 1/2, Vol. 33, 2007/2008, pp. 67-80.

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