Captivating Watercolors by George Elbert Burr: Techniques and Inspirations

george elbert burr the rhone from the path to salvari switzerland 1898

A recent chat with Chontele sparked a reminder that it’s high time I delve deeper into the world of watercolors. While my artistic inclinations naturally lean toward impressionist landscapes in oils, I genuinely appreciate various mediums. Taking her advice to heart, I’d like to spotlight the watercolorist George Elbert Burr today.

Burr, an American artist primarily recognized for his etched prints depicting desert landscapes, ultimately captured my attention with his watercolors. Often painted en plein air, his works exude a freshness and spontaneity that I find captivating. There’s an elegant simplicity in his style that resonates with me. Below, I’ve highlighted some of my favorite pieces, presented in no particular sequence, alongside my observations.

Venice

This piece showcases a harmonious blend of blues, purples, and white. Observe the horizontal lines of the ocean, which contrast beautifully with the solid forms of the sky and clouds. The seamless transition of colors between the sky and the water creates a gentle link between the two.

George Elbert Burr, Venice, 1900
George Elbert Burr, Venice, 1900

From Above Pont-y-Pant

This artwork beautifully captures depth with its layered foreground, middle ground, and background, showcasing atmospheric perspective. As we venture back into the distance, the hues become noticeably cooler and less intense. The composition guides our eyes along a subtle S-curve from the foreground down into the valley and towards the distant mountains.

George Elbert Burr, From Above Pont-y-Pant, 1899
George Elbert Burr, From Above Pont-y-Pant, 1899

The Rhone From the Path to Salvari (Switzerland)

This piece depicts a similar thematic approach but incorporates a greater contrast in color temperatures. The vibrant oranges and yellows on the left juxtaposed with deep blues on the right exemplify the dynamic relationship between complementary colors, enhancing the visual impact.

George Elbert Burr, The Rhone From the Path to Salvari - Switzerland, 1898
George Elbert Burr, The Rhone From the Path to Salvari (Switzerland), 1898

Shore at Pwllheli, N. Wales

Burr masterfully illustrates the ocean’s dynamic movement in this piece. The interplay of highlights and shadows beneath the whitewash creates depth and realism—an element often overlooked but crucial for conveying the activity of water. The shore below adds valuable temperature and value contrast.

George Elbert Burr, Shore at Pwllheli, N. Wales, 1899
George Elbert Burr, Shore at Pwllheli, N. Wales, 1899

At Pwllheli, N. Wales

In this version, Burr enhances the drama and color. Pay close attention to the soft yellows and reds painting the sky, which add an emotional texture to the piece.

George Elbert Burr, At Pwllheli, N. Wales, c.1899
George Elbert Burr, At Pwllheli, N. Wales, c.1899

Criccieth, N. Wales

This piece showcases a tranquil scene that highlights Burr’s skill in conveying serenity and control in his work.

George Elbert Burr, Criccieth, N. Wales, 1899
George Elbert Burr, Criccieth, N. Wales, 1899

Alban Mountains From via Tuscolana, Rome

This piece uniquely integrates either pen or pencil drawing with watercolor, creating a striking combination. The precision of the drawing compliments the vivid colors and transparent washes, resulting in a compelling visual narrative.

George Elbert Burr, Alban Mountains From Via Tuscolana, Rome, 1900
George Elbert Burr, Alban Mountains From Via Tuscolana, Rome, 1900

The Wye Near Ross

Here, Burr’s approach to painting grass in the foreground with simple washes and a touch of texture stands out. In contrast, he applies a more complex technique to the water, blending hues of blue, purple, and green, which illustrates the fluidity of the water’s surface.

George Elbert Burr, The Wye Near Ross, 1899
George Elbert Burr, The Wye Near Ross, 1899

Venice

This piece serves as a reminder that a crowded area can evoke just as powerful an emotion as a serene, spacious scene.

George Elbert Burr, Venice (2), 1900
George Elbert Burr, Venice, 1900

Nevin, North Wales

In this piece, Burr employs dark accents to depict the rocks along the coastline. Although the exact techniques he used are unclear, one might speculate that he first laid down flat shapes of a middle tone and then added fine details on top with a darker brush.

George Elbert Burr, Nevin, North Wales, 1899
George Elbert Burr, Nevin, North Wales, 1899

Here are a few additional works:

I appreciate you taking the time to read this! I look forward to hearing your thoughts in the comments section.

Additionally, Color Masterclass enrollment ends tonight for those interested. This is undoubtedly our most extensive and exceptional course, with enrollment openings limited throughout the year.

Happy painting!

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